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DB: BASE de DATOS, Biblioteca del Centro Cultural de la Embajada de Japon
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作成日:2010/09/06 02:05:44 JST最終更新日:2020/07/21 21:58:20 JST
RUBRO HISTORIA de la CULTURA
TITULO War, Occupation, and Creativity (Japan and East Asia 1920-1960)(★)
AUTOR Marlene J. Mayo and Thomas Rimer
EDITORIAL University of Hawaii Press
ISBN 0-8248-2433-4
IDIOMA INGLES
CODIGO INTERNO HC-0029
NOTA (★)(1.This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive for the arts. The volume takes a trans-war [rather than an inter-war] approach, beginning with the cultural politics of painting, poetry, and fiction in Japanese-occupied Korea and Taiwan following World War I. The narrative continues with the impact of Japan´s war in China and the Pacific War on major Japnese novelists, playwrights, painters, and filmmakers, before moving on to the final stage, Japan´s defeat and initial recovery. During the Allied Occupation of Japan and in its aftermath, Japanese artists both confronted and dismissed the question of war responsibility by preserving, reviving, or reinventing the political cartoon, Kabuki drama, literature of the body, and the aesthetics of decadence. This original and informative collection indicates convincingly how the artistic accomplishments of this period have value both on their own terms and as a measure of the ways in which art and politics intertwined during these crucial decades. 2.Marlene Mayo is an associate professor of history at the University of Maryland. J. Thomas Rimer is a professor of Japanese literature at the University of Pittsburgh. ▼CONTENTS/PART 1. EMPIRE : Occupied Territories/1.Korea the Colony and the Poet Sowol (David R. McCann)/2.Writing the Colonial Self : Yang Kui´s Texts of Resistance and National Identity (Angelina C. Yee)/3.The Development of Official Art Exhibitions in Taiwan during the Japanese Occupation (Wang Hsui-hsiung)/4.Artistic Trends in Korean Painting during the 1930s (Youngna Kim)/ PART 2. CONFLAGRATION : World War II in East Asia and the Pacific/5.The Many Lives of Living Soldiers : Ishikawa Tatsuzoo and Japan´s War in Asia (Haruko Taya Cook)/6.Paris in Nanjing : Kishida Kunio Follows the Troops (J.Thomas Rimer)/7.A Painter of the ´Holy War´ : Fujita Tsuguji and the Japanese Military (Mark H.Sandler)/8.Japanese Filmmakers and the Responsibility for War : The Case of Itami Mansaku (Kyoko Hirano)/ PART 3. AFTERMATH OF TOTAL WAR : Allied-Occupied Japan and Postcolonial Asia/9.The Double Conversion of a Cartoonist : The Case of Katoo Etsuroo (Rinjiroo Sodei)/10.To Be or Not To Be : Kabuki and Cultural Politics in Occupied Japan (Marlene J.Mayo)/11.Pleading for the Body : Tamura Taijiroo´s 1947 Korean Comfort Woman Story, Biography of a Prostitute (H.Eleanor Kerkham)/12.From Pearls to Swine : Sakaguchi Ango and the Humanity of Decadence (Alan Wolfe)/)

   

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