| NOTA |
(★)(The magic of Miyazawa´s tales reaches out to people of all ages and lands. The sophisticated reader can savor them consciously as literature, while the younger reader can delight in them as imaginative stories that comment on and deepen his own experience. The underlying themes are universal, but the forms and treatment can be appreciated at many levels and vary subtly from piece to piece.／ The sheer storytelling skill is most evident in pieces like the joyful, innocent ´Wildcat and the Acorns,´ or in a classic cautionary tale like ´The Restaurant of Many Orders.´ But even a superficially whimsical tale like ´The Earthgod and the Fox´ can in a short span construct a genuinely moving little tragedy. ´The Last Deer Dance,´ a fanciful account of the origins of a well-known folk dance, works its gentle way to a climax of pure poetry. ´Tokkobe Torako´ makes folk superstitions the basis for a piece of amusing farce in a historical setting. And in ´The Wild Pear,´ what seem to be two slight nature sketches succeed in encapsulating some of the cruelty and compensations of life itself... Almost every story has something fresh to offer.／ Yet all the different elements merge into, are transcended by, an impression of embracing compassion for living creatures ; of wry humor ; and above all of a passionate love of nature -in particular, the four seasons of Miyazawa´s native northern Japan. Clear-sighted yet never sadistic and rarely sentimental, the tales taken as a whole present a view of life that is fresh and acceptable to the modern reader. By bringing together the best of them, this book seeks to place Miyazawa firmly in the special niche he deserves in the history of Japanese and world literature.／ ◆Kenji Miyazawa was born in 1896 in Iwate, one of the northernmost prefectures of Japan and a land of heavy snows and barren soil.／ During his high-school years, he studied Zen Buddhism, and was to carry a copy of the Lotus Sutra with him for the rest of his life. Around this time, he also began to write his own simple but passionate brand of poetry.／ Three years after graduating from an agricultural college, he went to Tokyo with the aim of making writing his profession, but he soon returned to help look after a sick sister. After she died, he took a teaching position in his home town, and though he subsequently made numerous trips to Tokyo in connection with his literary efforts, Iwate remained his home.／ There he organized a children´s club and held record concerts. He became interested in the cello and the organ, trying to teach himself but eventually taking lessons in both instruments ; he also learned Esperanto.／ Miyazawa´s days were devoted to using his background in agronomy to instruct and help the local farmers, while at night he practiced his music and wrote. When his health failed in 1929, he was bedridden for a year, but he was soon exploring new interests, including mathematics and calligraphy. He died of a lung infection in 1933.／ ▼CONTENTS／ ●The Earthgod and the Fox ●General Son Ba-yu ●Ozbel and the Elephant ●The First Deer Dance ●The Bears of Nametoko ●Wildcat and the Acorns ●Gorsch the Cellist ●Tokkobe Torako ●A Stem of Lilies ●The Restaurant of Many Orders ●The Man of the Hills ●The Police Chief ●The Spider, the Slug, and the Raccoon ●The Red Blanket ●The Dahlias and the Crane ●The Thirty Frogs ●The Ungrateful Rat ●Night of the Festival ●The Fire Stone ●March by Moonlight ●Kenju´s Wood ●The Wild Pear ●Down in the Wood ●The Nighthawk Star) |
BASE de DATOS, Biblioteca del Centro Cultural de la Embajada de Japon
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