| NOTA |
(★)(The contributions of Mori Oogai to intellectual life in Japan during the Meiji period were enormous. His historical fiction, written after the death of Emperor Meiji in 1912, secured his prominent place in modern Japanese literature. These stories resound with the cool clarity of Oogai´s precise, brilliant, and deliberate style. Set principally in the Tokugawa period, they do not glorify the past but rather provide a means for Oogai to deal with contemporary moral and philosophical problems from an artistic perspective congenial to him and suited to his most profound concerns : loyalty, sincerity, intellectual honesty, independence of spirit, the beauty of virtue.／ ◆David Dilworth is professor of philosophy at the State University of New York at Stony Brook. J. Thomas Rimer is chair of the Department of Hebrew and East Asian Languages and Literatures at the University of Maryland, College Park.／ ▼CONTENTS／ ●Okitsu Yagoemon no isho (The Last Testament of Okitsu Yagoemon) ●Abe ichizoku (The Abe Family) ●Gojiingahara no katakiuchi (The Vendetta at Gojiingahara) ●Sakai Jiken (The Incident at Sakai) ●Sanshoo Dayuu (Sanshoo the Steward) ●Rekishi sono mama to Rekishibanare (History as It is and History Ignored) ●Gyogenki ●Jiisan Baasan (The Old Man and the Old Woman) ●Saigo no Ikku (The Last Phrase) ●Takasebune (The Boat on the River Takase) ●Kanzan Jittoku ●Sahashi Jingoroo ●Yasui Fujin ●Tsuge Shiroozaemon ●Kuriyama Daizen ●Suginohara Shina ●Tokoo Tahei ●Saiki Kooi) |
BASE de DATOS, Biblioteca del Centro Cultural de la Embajada de Japon
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