| NOTA |
(★)(Japanese novelist Haruki Murakami´s best-selling books, including ´Norwegian Wood´, ´The Wind-Up Bird Chronicle´, and ´Kafka on the Shore´, have been translated into forty languages, and his dreamlike prose delights readers across borders and datelines. What lies behind this phenomenal international appeal? The Japan Foundation asked novelists, translators, artists, and critics from around the world to answer this question. ´A Wild Haruki Chase´ presents their intriguing findings. Neuroscience, revolution, a secret Chinese connection ... you´ll never read Murakami the same way again.／ ▼CONTENTS／ ●Introduction : The Murakami Aeroplain (by Jay Rubin, Japanese-English translator ; professor at Harvard University)／ To Translate and to Be Translated (by Haruki Murakami)／ ■A WILD HARUKI CHASE／ ●How to View the ´Haruki Boom´ (by Inuhiko Yomota, Comparative Literature professor, Meiji Gakuin University)／ ●The Global Distributed Self-Mirroring Subterranean Neurological Soul-Sharing Picture Show (by Richard Powers, novelist)／ ●What We Talk About When We Talk About Murakami (by Roland Kelts, lecturer, University of Tokyo ; editor, ´A Public Space´)／ ●The Sense of Loss in Murakami´s Works and Korea´s 386 Generation (by Kim Choon Mie, Japanese-Korean translator)／ ●What Russians See in Murakami (by Ivan Sergeevich Logatchov, Japanese-Russian translator)／ ●Lu Xun and Murakami : A Genealogy of the Ah Q Image in East Asian Literature (by Shozo Fujii, Comparative literature professor, University of Tokyo)／ ●The Other Side of Happiness : Acting in Tony Takikani (by Issey Ogata, actor)／ ●Haruki Murakami as a Contemporary Phenomenon (by Koichi Oi, reporter, Mainichi Shimbun)／ ●Contemporary Japanese Literature Finds a Global Following (by Shinya Machida, reporter, Yomiuri, Shimbun)／ The Making of ´A Wild Haruki Chase´ (by Koji Sato, Ayumi Hashimoto, Aya Tamura [Japan Foundation program officers])／ Murakami Books Worldwide／ About the Contributors／) |
BASE de DATOS, Biblioteca del Centro Cultural de la Embajada de Japon
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